Or we can treat it as the fifth of a chord, which gives us these possibilities: This gives us the choice of either an A minor or A-flat major chord quality: Now let’s think of a C as being the third of a chord. (Note: A low bass note has been added to this and the following six audio clips to help you hear the chord qualities more clearly.) In this first example, it’s serving as the root. To illustrate, here are some ideas for how a C can be incorporated. Start with an understanding that any given note can be treated with a wide selection of possibilities when it comes to making it a part of a chord. In this installment, we’ll explore harmony as color, without worrying about function or even staying within a key center. In Part 1 of this three-part series, we covered functional harmony and traditional concepts for making a song more sophisticated.
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